Saturday, August 21, 2010

America’s Surrender to the Spectacle of Terror

When our fears have all been serialized, our creativity censured, our ideas “marketplaced,” our intelligence sloganized, our strength downsized, our privacy auctioned; when the theatricality, the entertainment value, the marketing of life is complete, we will find ourselves living not in a nation but in a consortium of industries, and wholly un-intelligible to ourselves except for what we see as through a screen darkly. -Toni Morrison(1)

As the link between the media and corporate power becomes more integrated, the visual theater of terror mimics the politics of the “official” war on terror. Echoing the discourse of the “official” war on terror, the violence of extremist groups as well as state-sanctioned and corporate violence are understood almost exclusively within the discourse of moral absolutes pitting good against evil.

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